Cras Temp
Portrait: A Mokuhanga Print, Chine-Collé, and Stone Rubbing
Portrait is a mokuhanga print combined with chine-collé and stone rubbing, creating a powerful self-reflection that intertwines the spirit of the scholar stone with the philosophical depth behind it. The work explores the profound relationship between nature, art, and the human soul, drawing upon the long tradition of stone appreciation in Chinese culture.
At the heart of this piece is the idea of the scholar stone, a symbol of both natural beauty and spiritual resonance. Through the delicate process of mokuhanga printmaking, the print captures the raw, elemental nature of the stone, while chine-collé adds a layer of refinement, enhancing the textural qualities of the image. The stone rubbing technique brings an additional depth, evoking the tactile connection between the artist and the natural world.
This portrait is not only a visual expression but also a meditation on the philosophy of stone appreciation. The scholar stone, with its inherent simplicity, is a mirror of the spirit—an object that invites reflection and introspection. It symbolizes resilience, endurance, and the harmonious relationship between humanity and nature. Just as the scholar stone has been a symbol of wisdom and contemplation in Chinese tradition, this print aims to carry that same spirit, offering a space for the viewer to connect with their own inner world.
By blending these techniques, Portrait becomes a synthesis of art and philosophy, honoring the timeless tradition of stone appreciation while exploring the deeper meaning of self-reflection and spiritual growth.